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The Proposition

  • 16th Mar, 2006 at 3:25 PM
landscape
I'll admit that the last post was something of a placeholder, as I am still struggling to put into words the sheer wonder that is The Proposition



Bare bones first of all, it's a low(ish) budget Austrailan/UK film with a script and soundtrack by Nick "the Bad Seeds" Cave. Set in the C19th Australian Outback, an outlaw (Guy "Mike from Neighbours" Pearce) has to choose between killing his near-feral elder brother or allowing his seemingly innocent and naive younger brother to be hung.

What that isn't getting accross is the sheer, visceral and emotional impact of what was both a very ugly and very beautiful piece of cinema. The easiest way to put it is how [info]cybermule and myself described it, in that some films you watch and some films you live through. This was a film that you live through, and that becomes part of the way you see the world.

The Victorian outback was clearly a nasty, brutish and in some ways still-forming place, with the 'civilising' of the old culture of the pioneers (and, of course, the even older culture of the aboriginees) not long begun.

Couple this with the sparse dialogue, the seriously impressionistic music and the shockingly beautiful natural landscape and you had something with a seriously primal impact. Gory, dirty - yes - but also very real and very powerful.

Go see.

Comments

( reply )
[info]lengths wrote:
23rd Mar, 2006 07:40 (UTC)
pops his head
*puts his head round the door as octpus doers not seem to have updated recently*
( reply )

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Teh Dai

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If you ever wanted a blog that covered UK politics and media from a leftish and broadly tech-savvy perspective, along with the occasional ramble about the minutiae of my life and one or two pictures, some completely random wibbling on any topic that takes a fancy, an unhealthy cephalopod obsession and some rubbish jokes then you may as well read this one until you find it.

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